Miloš Šejn | Českých Bratří 312 | CZ-50601 Jičín | T +420 723 701 658 | milos [at-sign] sejn.cz
AllForWeb | © 2008 sejn
DIVERSITY CONTEMPORARY II10.12.2024 - 31.01.2025
PAF 2024 / DIARIES - Deposit of Memory: Video Works by Miloš Šejn from 1988-202205.12.2024 - 08.12.2024
LANDSCAPE FESTIVAL PRAGUE 202413.06.2024 - 30.09.2024
ANIMA MUNDI | VISIONS – ITSLIQUID INTERNATIONAL ART FAIR | VENICE 202407.06.2024 - 21.06.2024
MEMORY DEPOSIT06.03.2024 - 27.04.2024
KOR . KON . TOI . 0 0 1 – Miloš Šejn / Adriena Šimotová17.11.2023 - 28.04.2024
BECOMING GARDEN…17.09.2023 - 29.10.2023
Heraclitus principle / One hundred years of coal in Czech art16.06.2023 - 22.10.2023
SYMBIOSIS06.06.2023 - 23.06.2023
1 : 1 : 127.05.2023 - 25.08.2023
Wege in die Abstraktion im Dreiländereck II02.04.2023 - 28.05.2023
BIRTHDAY16.12.2022 - 19.02.2023
Face for SU–EN22.10.2022 - 22.10.2022
Valoch & Valoch / Archeology And Conceptual Art30.09.2022 - 27.08.2023
Wege in die Abstraktion im Dreiländereck02.07.2022 - 25.09.2022
AQVA15.04.2022 - 04.09.2022
KINETISMUS: 100 Years of Electricity in Art22.02.2022 - 29.08.2022
EMERGENCY EXIT03.12.2021 - 11.09.2022
MAN IN THE CAVE24.11.2021 - 06.02.2022
ÍHMNÍ30.09.2021 - 28.11.2021
SEMI-OPEN29.09.2021 - 28.11.2021
Zdzisław Jurkiewicz. Occurrences25.06.2021 - 21.10.2021
Art Safari 36: TOGETHER05.06.2021 - 11.06.2021
ART, MELANCHOLY AND LAUGH FACES IN THE FACE OF ABSURDITY22.05.2021 - 03.10.2021
KRAJINA + / LANDSCAPE +14.05.2021 - 25.07.2021
WATER18.12.2020 - 06.06.2021
ATLAS NEW CONSTELLATIONS05.12.2020 - 30.05.2021
FOR THE LAST FIFTY YEARS27.11.2020 - 01.10.2023
PILGRIMAGE TO THE MOUNTAINS27.10.2020 - 08.11.2020
Fotograph Festival #X UNEVEN GROUND07.10.2020 - 07.11.2020
Í T H M N29.09.2020 - 31.01.2021
Table and Territory / Table et Territoire26.09.2020 - 27.09.2020
Looking Into The Window19.09.2020 - 31.12.2020
A Pilgrim Who Returns
15.09.2020 - 31.10.2020
Gočár Phenomenon03.09.2020 - 31.10.2020
ART SAFARI 35 – HYDRANT27.06.2020 - 28.06.2020
24h PERFORMANCE14.06.2020 - 15.06.2020
Through the Landscape of K. H. Mácha04.06.2020 - 06.09.2020
NMHTÍ12.05.2020 - 24.06.2020
IDENTITY23.03.2020 - 31.12.2021
Homeplace & Kunka Phenomenon04.03.2020 - 31.07.2020
↗ ASCENT ↙ DESCENT / performance art event23.02.2020 - 23.02.2020
Parallel cinema / Stream, Tree and Stone03.02.2020 - 04.02.2020
Ji.hlava24.10.2019 - 29.10.2019
TRA DUE MONDI16.10.2019 - 16.10.2019
Pilgrims, Refugees, Hermits11.09.2019 - 28.10.2019
The Naked Forms Festival (FNAF)06.09.2019 - 08.09.2019
Sounds / Codes / Images - Audio Experimentation in the Visual Arts06.06.2019 - 10.10.2019
rivers, streams, puddles04.06.2019 - 24.06.2019
IL SORRISO DEL LEONE / VENICE TELEPATHIC BODIES01.06.2019 - 24.11.2019
Performance Crossings 201915.05.2019 - 18.05.2019
THEATRUM MUNDI III27.04.2019 - 27.04.2019
Early Manifestations of Action Art in East Bohemia26.04.2019 - 16.06.2019
AQVA MUO26.04.2019 - 28.05.2019
Yellow Rose Fragrance27.03.2019 - 16.06.2019
WÄRMFLASCHE14.12.2018 - 15.12.2018
ART SPACE ECOLOGY15.10.2018 - 31.12.2020
Architecture and Senses12.10.2018 - 14.10.2018
THEATRUM MUNDI II22.09.2018 - 22.09.2018
OPERA CORCONTICA04.09.2018 - 09.10.2018
PRAGUE WILDERNESS – LANDSCAPE FESTIVAL PRAGUE 201821.06.2018 - 30.09.2018
Energy of the initial line – gesture, rhythm, movement in contemporary Czech art01.03.2018 - 28.05.2018
IMAGE / BODY / SOUND27.11.2017 - 27.11.2020
EVERY WANDERING ENDS IN THE BEGINNING13.11.2017 - 13.11.2017
(Post)Land Art and the Anthropocene06.11.2017 - 06.11.2017
CS CONCEPTUAL ART OF THE 70s11.10.2017 - 13.01.2018
SONIC SOLAR MOUNTAIN26.08.2017 - 26.08.2017
Bohemiae Rosa25.08.2017 - 31.08.2017
HOW TO EXPLAIN IMAGES TO AN INVISIBLE INTERSPACE02.08.2017 - 10.08.2017
LAPSody 2017 – The Bubble24.05.2017 - 27.05.2017
ALCHEMIC BODY | FIRE . AIR . WATER . EARTH21.04.2017 - 29.05.2017
LIQUID ROOMS / THE LABYRINTH10.02.2017 - 28.02.2017
LANDSCAPE20.12.2016 - 12.02.2017
The Landscape, Art and Photography | Contemporary Artworks in the Landscape01.11.2016 - 12.01.2017
Branches | Nature art – variations26.07.2016 - 16.10.2016
AGARA / Hommage à la Peinture04.04.2016 - 31.05.2016
SPEECH MELODIES19.11.2015 - 08.01.2016
SELÉNÉ / BECOMING A LUNAR FACE TELEPATHICALLY28.09.2015 - 28.09.2015
FACIALITY05.09.2015 - 05.09.2015
SOLAR MOUNTAIN20.09.2014 - 09.09.9999
MICHALEK / ŠEIN27.11.2013 - 12.01.2014
IL SORRISO DEL LEONE01.06.2013 - 24.11.2013
FACIALITY / Space of the Memory and an Immediate Space23.10.2012 - 24.10.2012
Faces / Face as the phenomenon in videoart20.06.2012 - 16.09.2012
ARCHIVES & CABINETS14.06.2012 - 02.09.2012
The Written Face for SU-EN28.01.2012 - 28.01.2012
Finally Together07.09.2011 - 14.10.2011
B/L – Dedicated to Carolus Linnaeus15.06.2010 - 29.08.2010
BEING LANDSCAPE25.03.2010 - 06.06.2010
Gardening10.03.2009 - 13.03.2009
Cartusiae Waldiczensis29.11.2008 - 01.03.2009
LANDSCAPE UNDER TOTALITARIAN16.09.2008 - 30.11.2008
Cartusiae Waldiczensis
Regional Museum and Gallery in Jičín, CZ
Cartusiae Waldiczensis
Locked World / History of the Monastery 1627 - 1782
The exhibition contains reconstruction proposals by Petr Uličný and Miloš Šejn
Study of the restoration of the church of St. Josef of the former Carthusian monastery in Valdice
Design by Petr Uličný, Miloš Šejn, 2003
In 2003, in cooperation with a team of authors, an architectural study was prepared for the management of Valdice Prison, serving as a concept for the anticipated restoration of this remarkable and significantly affected building.
The design envisaged the use of the interior of the building for prisoners and in limited traffic also for visitors interested in the history of the Valdice Carthusian and Valdice Prisons. Such a solution requires a division of space, which is solved by restoring the original lectures, demolished during the reconstruction of the church in the 1960s. Side chapels would be used for the permanent exhibition mapping the history of both periods, accessible to prison visitors, while the presbytery of the church would serve the prisoners as a multifunctional hall.
Both spaces could be used for cultural purposes, while the podium could be served by the terrace of the lecturer, in the presence of both visitors to the ship and prisoners in the presbytery. When installing the altar, it will be similarly possible to use the terrace to remarkably dramatize the mass ritual and return the space to its original purpose.
Because the mass of the lecturer changes the impression of freedom and openness of today's space, the study also brings a proposal for a transparent solution.
The artistic concept of the lecture is based on the emblem of the Carthusian order, formed by a blue (or silver) shield with a blue (or silver) globe with a golden cross, surrounded by seven stars reminiscent of the seven founders of the Great Carthusian.
The front wall of the lecture is in the full variant treated with the structure of blue azurite, which turns into gray-silver rock, made by the technique of artificial marble. In the open variant, the vistas are closed by two glass walls, which close large-area slides with an azurite rock motif.
Both railings are crowned by seven lanterns in the form of stars, composed of plates of polished agate and chalcedony. The same construction is the central bark lamp - a box in the shape of a Greek cross, composed of honey-colored chalcedony plates. The underside is open and light flows from there onto the square plate of the altar canteen. Lamp - the cross is hung on a chain, repeating the motif of gilded stars.
The altar canteen is treated with the technique of artificial marble, repeating the central motif of the front wall. In the middle of the canteen, on the principle of the altar remains, a thin square azurite slab is set, and in the middle of the canopy there is a small square of gray-silver mica.
Zprávy památkové péče 2/2009
Regional Museum and Gallery in Jičín, CZ
29.11.2008 - 01.03.2009
Cartusiae Waldiczensis
Locked World / History of the Monastery 1627 - 1782
The exhibition contains reconstruction proposals by Petr Uličný and Miloš Šejn
Study of the restoration of the church of St. Josef of the former Carthusian monastery in Valdice
Design by Petr Uličný, Miloš Šejn, 2003
In 2003, in cooperation with a team of authors, an architectural study was prepared for the management of Valdice Prison, serving as a concept for the anticipated restoration of this remarkable and significantly affected building.
The design envisaged the use of the interior of the building for prisoners and in limited traffic also for visitors interested in the history of the Valdice Carthusian and Valdice Prisons. Such a solution requires a division of space, which is solved by restoring the original lectures, demolished during the reconstruction of the church in the 1960s. Side chapels would be used for the permanent exhibition mapping the history of both periods, accessible to prison visitors, while the presbytery of the church would serve the prisoners as a multifunctional hall.
Both spaces could be used for cultural purposes, while the podium could be served by the terrace of the lecturer, in the presence of both visitors to the ship and prisoners in the presbytery. When installing the altar, it will be similarly possible to use the terrace to remarkably dramatize the mass ritual and return the space to its original purpose.
Because the mass of the lecturer changes the impression of freedom and openness of today's space, the study also brings a proposal for a transparent solution.
The artistic concept of the lecture is based on the emblem of the Carthusian order, formed by a blue (or silver) shield with a blue (or silver) globe with a golden cross, surrounded by seven stars reminiscent of the seven founders of the Great Carthusian.
The front wall of the lecture is in the full variant treated with the structure of blue azurite, which turns into gray-silver rock, made by the technique of artificial marble. In the open variant, the vistas are closed by two glass walls, which close large-area slides with an azurite rock motif.
Both railings are crowned by seven lanterns in the form of stars, composed of plates of polished agate and chalcedony. The same construction is the central bark lamp - a box in the shape of a Greek cross, composed of honey-colored chalcedony plates. The underside is open and light flows from there onto the square plate of the altar canteen. Lamp - the cross is hung on a chain, repeating the motif of gilded stars.
The altar canteen is treated with the technique of artificial marble, repeating the central motif of the front wall. In the middle of the canteen, on the principle of the altar remains, a thin square azurite slab is set, and in the middle of the canopy there is a small square of gray-silver mica.
Zprávy památkové péče 2/2009