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Far Is My Journey
27. 3. - 5. 7. 2026 | Galerie Lázně LIberec
Curator: Michaela Kubišová
The beginning of the 19th century brings new ideas into Czech culture, a new philosophy that seeks to turn the individual’s gaze inward. It arrives in the form of the figure of a torn wanderer standing above an abyss, gazing dreamily into the distance to which he may one day arrive, contemplating the meaning of life and the significance of the individual within its cycle. What does the wanderer see? Weary of the Industrial Revolution, of human progress, of Enlightenment thought, he turns his gaze back into his soul, into the landscape both inner and outer, into an intimate experience, into a connection with nature, the land, the homeland, and history. Exactly as the German painter Caspar David Friedrich depicted him around 1818 in his painting Wanderer above the Sea of Fog.
27. 3. - 5. 7. 2026 | Galerie Lázně LIberec
Curator: Michaela Kubišová
The beginning of the 19th century brings new ideas into Czech culture, a new philosophy that seeks to turn the individual’s gaze inward. It arrives in the form of the figure of a torn wanderer standing above an abyss, gazing dreamily into the distance to which he may one day arrive, contemplating the meaning of life and the significance of the individual within its cycle. What does the wanderer see? Weary of the Industrial Revolution, of human progress, of Enlightenment thought, he turns his gaze back into his soul, into the landscape both inner and outer, into an intimate experience, into a connection with nature, the land, the homeland, and history. Exactly as the German painter Caspar David Friedrich depicted him around 1818 in his painting Wanderer above the Sea of Fog.
The wanderer whose footsteps we will follow is the Czech poet Karel Hynek Mácha. A genius who, during his short and turbulent life, managed to become a pioneer of Czech poetry and a source of inspiration for generations of poets and wanderers who sought to follow his path through the landscape and through literature. In 2026, it will be 190 years since his death.
Disk cannot be read
9. 12. 2025 - 8. 2. 2026 | VAŠULKA KITCHEN BRNO
Artist Operators: Miloš Vojtěchovský, Handa Gote
Media archaeologists Jussi Parikka and Garnet Hertz argue that electronic media do not disappear forever; in the course of history, they occasionally awaken from their slumber and become zombie media. Disk cannot be read is a notional expedition into the forgotten corners of analog and (pre-)digital technologies, carriers, and artistic experiments dating roughly from the early 1990s. It suggests how these overlooked media, formats, devices, and software (such as VHS, Atari Video Console, floppy disks, HyperCard, CD-ROM, Macromedia Director, Flash, or Second Life) have shaped industrial as well as cultural development and research. Do they encode a unique historical, aesthetic, and social memory?
9. 12. 2025 - 8. 2. 2026 | VAŠULKA KITCHEN BRNO
Artist Operators: Miloš Vojtěchovský, Handa Gote
Media archaeologists Jussi Parikka and Garnet Hertz argue that electronic media do not disappear forever; in the course of history, they occasionally awaken from their slumber and become zombie media. Disk cannot be read is a notional expedition into the forgotten corners of analog and (pre-)digital technologies, carriers, and artistic experiments dating roughly from the early 1990s. It suggests how these overlooked media, formats, devices, and software (such as VHS, Atari Video Console, floppy disks, HyperCard, CD-ROM, Macromedia Director, Flash, or Second Life) have shaped industrial as well as cultural development and research. Do they encode a unique historical, aesthetic, and social memory?