CZ | EN
aktualita Yellow Rose Fragrance27|03|2019 - 16|06|2019
Východočeská galerie v Pardubicích

“Master, we have followed your teaching for years. Can you tell us what the essence of it is?” Everyone waits for an answer. Buddha wordlessly picks a flower growing in front of him, lifts it to the sky and smiles…  
Solo
OPERA CORCONTICA
04.09.2018 - 09.10.2018 | Galerie UFFO, Trutnov

Milos Sejn, Becoming The Maple Brook, acrylic on canvas, 160 x 2500 cm, detail
Galerie UFFO
Náměstí Republiky 999
541 01 Trutnov
Czech Republic


 
HOW TO EXPLAIN IMAGES TO AN INVISIBLE INTERSPACE
02.08.2017 - 10.08.2017 | SODA GALLERY OF CONTEMPORARY ART / Bratislava

My event and pemanent intervention in the Viktor Fucek's exhibiton shoul be a very free paraphrase of Joseph Beuys cult action of 1965, this time defined by the title “How to explain images to an invisible interspace”.

SODA Gallery
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Milos Sejn: MANGHA, Kraków 2012

 
AGARA / Hommage à la Peinture
04.04. 2016 - 31.05.2016 | GALERIE MĚSTA LOUN, Vrchlického divadlo, Osvoboditelů 411, 440 01 Louny, CZ

curated by Vladimír Drápal


M. Šein: OHARA, 2014, pigments and acrylic on canvas, painting text,
140 x 140 cm

GAML
 
SPEECH MELODIES
19.11.2015 - 08.01.2016 | Leos Janacek Memorial of the Moravian Museum
Smetanova 14, Brno 602 00, Czech Republic

curated by Jiří Zahrádka

Šeinovy transformace Janáčkových nápěvků představují jeden z potenciálně možných způsobů nahlížení, čtení, interpretací a reinterpretací těchto svébytných dokumentů. Některé listy graficky zmnožují jednotlivé expresívní výrazy v řetězcích přepisů, kdy se písmo postupně ztrácí a znovuobjevuje v nových a nových variacích, původní zvukový impulz je rozvíjen v obrazových situacích, jež lze číst opět sluchově. Podoby řeči jsou tu znovu a jinak ohledávány někdy pomocí konfrontace psaného obrazotextu s kolážovanými útržky původních Janáčkových notací a textů, nebo též s obrazy podnětů, k nimž se některé původní nápěvky vztahují – jako oživené předměty (židle, dveře), petrifikované notace projevů živých bytostí (ptáci, lidé) či bytostí imaginárních a halucinativních – například čert. Výsledné transformace lze vnímat jako předmětné básně, jako expresívní obrazotext a také, nikoliv v poslední míře, jako svébytné partitury.
Odkazy ke konkrétním Janáčkovým nápěvkům jsou vždy přesně uvedeny, respektují současný systém jejich archivace a tak je v každém případě možné posoudit, jaký je konkrétní vztah mezi původním notačním záznamem a jazykově předmětným rozezněním v nových sonických obrazoprostorech. Možné partiturní způsoby nástrojových interpretací i čtení modů, směrových orientací, temp, času a ech jsou pak zcela volné.
                  
Milos Šein / Speech Melodies
Speech Melodies
Leoš Janáček Memorial
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Group
GRAFIKA ROKU 2018
03.02. – 27.02.2019 | Nadace Hollar, Obecní dům v Praze, náměstí Republiky 1090/ 5

Miloš Šejn: Wovels For Maple Brook, 2018


 
OSTEN BIENNIAL of DRAWING
13.09.2018 – 13.12.2018 | National Gallery of Macedonia-Chifte Hammam, Bitpazarska ss, Skopje-City, Macedonia

 
 
LANDSCAPE FESTIVAL / PRAHA 2018
21.06. 2018 - 30.09.2018 | GALERIE J. FRAGNERA


Prague Wilderness – From Štvanice Island  to Vítkov Hill June 9, 2018 - Miloš Šejn / Dan Merta / Radek Kolařík - part of LANDSCAPE FESTIVAL PRAHA 2018
LANDSCAPE FESTIVAL

 
HEAVENHELL
16.06.2018 - 17.06.2018 | BUBEC sculpture studio, Prague, Czech Republic 

Sochařské studio Bubec / CENTRUM SOUČASNÉHO UMĚNÍ PRAHA
Radouňova 1, 155 00, Praha 5, Czech Republic
Tel/fax: (+420) 251 625 815
E-mail: info@bubec.cz
BUBEC
Performance
OPER OPERA
02.10.2018  | UFFO Theatre, Trutnov, CZ
18.00

David Helán & Miloš Šejn



 
THEATRUM MUNDI 2
22.09.2018 | GASK / Central Bohemian Gallery, Kutná Hora, CZ

Theatrum Mundi 2.0 will take place on Saturday September 22, 2018 from 15 am to 6 pm in GASK in Kutna Hora.

The following performances are: Lenka Klodová, František Kowolowsky, Gaby Bila-Gunther, Martin Zet, Jana Orlová, Kateřina Olivová, Marie Zandálková, © Merry, Jiří Surůvka, David Helan a Miloš Šejn, Johana Střížková, Petra Pětiletá, Markéta Garai, Ladislav Vondrák, Vladimír Havlík, Mira Gáberová, Mojmír Pukl, In sáček veritas, Jennifer Helia De Felice, Elis Unique, Markéta Ježová a Tereza Froncová, Katarina Kadijevic, Aneta Jaurisová, Filip Martínek, Mariana Kuželová, Tereza Sosíková, Jan Škrob, Helena Machová, Jan Běhounek

Concept author for Gask: Darina Alster
Curator Veronika Maresova
Sound: Anja Kaufmann
Installation: Michal Kindernay
Collaboration: Pavel Havrda
Acknowledgments: Studio Hrdinů

THEATRUM MUNDI


 
Perform-Made Event
07.09.2018  | G HMP / Prague City Gallery
3-6 PM
Městská knihovna, 2. patro


Perform-Made Event 
 
IMAGE / BODY / SOUND – ČASOPYSK
Milos Sejn & David Helán

Agosto Foundation

 
Miloš Šejn will christen his new two-disk edition of Obraz-tělo-zvuk/Image-Body-Sound, released by Guerilla Records on his 70th birthday. Included in the event will be the presentation of the new book Časopysk by David Helán, once a student of Šejn, who now also performs with him. In addition, ArtMap will bring us up to date on future creative encounters and performative dialogue.

Miloš Šejn works in the fields of visual art, performance and study of visual perception, and conducts workshops, such as Bohemiae Rosa. His artistic concept was formed in his youth when he undertook many trips into the wilderness as a reflection of an inner need to get closer to the secret of nature and observe the miracles that happen in it. From the beginning of the 1960s he took pictures, drew, collected and described his observations of nature during these wanderings. Currently he teaches privately mixed media and the relationship of nature and art as intrinsic needs of the mind, and focuses on immediate creative possibilities, based upon relations between historical humanised landscapes and intact nature. He consciously is working in the areas of expressive language among text, visual stroke, body movement, voice, and expansion into space.

The CD contains various field recordings, such as the “ambient symphony” Colorum Naturae Varietas, while the DVD includes 27 recordings of a wide range, including performances, documentary works, video art, dream visions, drawings, images of nature, and the like. Included is a comprehensive interview, which in shortened form, appeared in the Revolver Review no. 103/2016. In all, the collection comprises an unusual, uncensored probe into the soul of the versatile artist, who in his work goes “beyond the limits”.

David Helán takes up the conceptual tendencies of the latter half of the 20th century. His works are scattered broadly, including performance, video performance, action art, installation, photographic works, fine art and new media, and their fusion. His name is also linked with the artist David Hřivňacký, with whom he has staged various performances mostly in gallery spaces. It is a characteristic of Helán and Hřivňacký’s works to use dadaistic principles, spontaneous immediacy, experimentation and humor. Last year, the dual-language author’s dictionary titled Časopysk won the call at the annual pilot project Artist Book #1 v Meet Factory.

Organized by: ArtMap Book StoreAgosto FoundationGuerilla Records.

The event will take place at the Prague ArtMap bookstore in Vojtěšská 18 on Monday 27th November from 18:00.

Of his bones are Corrall made: Those are pearles that were his eyes... ARIELL SONG FROM THE TEMPEST BY W. SHAKESPEARE
Milos Sejn: Wandering through reeds, 1958 Milos Sejn: Agara, 2015
 
 
LAPSody
24.05.2017 – 27.05.2017 | Theatre Academy Helsinki

Organizers: Jay Mar Albaos, Antonín Brinda, Harriet v. Froreich, Petros
Konnaris, Jolijn de Wolf / MA Degree Programme in Live Art and
Performance Studies (LAPS), Theatre Academy of the University of the
Arts Helsinki

Bubbles are not
kindly regarded in these days.
They are associated with many of our current world's issues: social
injustice, a lack of solidarity, rising prices, polluted water... 
Our world bubbles, the earth is a bubble, and
we are in crisis. However, there is the aesthetic and life-preserving
potential of the bubble: it is an equally rich metaphor for isolation
and ignorance as it is for nurturance, safety and protection, and evenwwww.lapsody2017.com
more so for perfection and effervescence. A multitude of bubbles might
merge, expand, form a foam, or collide, burst and disappear.
For this year’s LAPSody, we invite experts and contributors from all
field to join The Bubble. Come explore the political, social,
environmental, philosophical, scientific and performative potential of
the bubble as a discursive and physical phenomenon.
We especially welcome proposals featuring non-conventional forms of
presentation, and are happy to facilitate these, for example lecture
installations, post-truth performances, site specific discussions,
phlegmatic workshops and one-on-one-situations.
LAPSody festival & conference will be taking place in the Theatre
Academy Helsinki as well at different outdoor and indoor sites around
the city of Helsinki. Other venues of LAPSody are currently being
negotiated and will be announced in the beginning of the year 2017.
wwww.lapsody2017.com
 
FoR mE iT’S tOO RAndOm
04.12. 2016 | KONVIKT / PAF Festival of Film Animation Olomouc

Darina Alster, Viktor Fuček, Mira Gáberová, Vladimír Havlík, David Helán, Lenka Klodová, Petr Krátký, Miloš Šejn, Viktor Takáč, Jan Valík, Vladimíra Večeřová, Martin Zet
 


http://www.pifpaf.cz/for-me-it-s-too-random

FoR mE iT’S tOO RAndOm is an allegory of performance. It represents an effort in pure beauty, while doing away with personal ballast and dissolving the ego – one of the most independent and carefully constructed personal components of the majority of artists-performers. Part of this event will be the Festival’s closing ceremony and the handing over awards in the jubilee tenth year of the Other Visions section.
The former Jesuit College is the location of the Art Centre of Palacký University. Lecture halls, workrooms and conference halls are located in this spatial baroque complex which consists of five art departments from the Faculty of Arts and the Faculty of Education. The Art Centre is involved in everyday cultural and artistic life. Inhabitants of Olomouc as well as tourists see film and theatre performances and concerts in the Corpus Christi Chapel and exhibitions installed in the large corridors.
Konvikt is accessible from Denisova Street. If you travel by tram, the Náměstí Republiky stop is not far away.


 
PEKAŘ KUCHAŘ
25.11. 2016 | PechaKucha Night OlomoucJungmannova 3, Olomouc

David Helán / Milos Sejn
 

Broken Chinese
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The Garden of Fragility
04.11. 2016 | Art Space NOV, Pernštýnské náměstí 49, Pardubice, Czech Republic

Ján Valík / David Helán / Milos Sejn



NOV art space
 
WRITTEN GARDEN
02.10. 2016 | Amfórman | Galerie Orlovna, Kroměříž

Curated by Aleš Vrtal & David Helán




 
International Festival Theatre European Regions
22.06. 2016 BODY PERFOINTROMENT / 17. – 26.06.2016 | DRAK Theatre, Hradec Kralové, Czech Republic

Day Six
Wednesday 22nd June – PERFORMANCE/How Performance Artists See Theatre

Early radical performance pieces from the 60s excluded typical theatrical elements such as duality of theatre, actors, roles, plots, rehearsals and repetitions, stage, given temporal frame, but even sufficed without the audience. Is there still a difference between theatre and performance art today? Distinguished Czech performers will answer.


Festival
 
ŽIVOTABUDIĆ
06.05. 2016 | Art Space NOV, Pardubice, Czech Republic


NOV art space
 
SELÉNÉ / BECOMING A LUNAR FACE
28.09.2015 | LUNA

In September 28 I am going to link my face with the face of the Moon telepathically. The intervention will be held 1 hour around the maximum of the Full Moon at 4:50 AM CEST (2:50 UT), ie 4:20 to 5:20 AM CEST (2:20 to 3:20 UT).

Part of the exhibition TIME 20 BK.

In Greek mythology, Selene (Greek Σελήνη) is the goddess of the moon. She is the daughter of the Titans Hyperion and Theia, and sister of the sun-god Helios, and Eos, goddess of the dawn. She drives her moon chariot across the heavens. Several lovers are attributed to her in various myths, including Zeus, Pan, and the mortal Endymion. In classical times, Selene was often identified with Artemis, much as her brother, Helios, was identified with Apollo. Both Selene and Artemis were also associated with Hecate, and all three were regarded as lunar goddesses, although only Selene was regarded as the personification of the moon itself. Her Roman equivalent is Luna.
The etymology of Selene is uncertain, but if the name is of Greek origin, it is likely connected to the word selas (σέλας), meaning "light".
Just as Helios, from his identification with Apollo, is called Phoebus ("bright"), Selene, from her identification with Artemis, is also commonly referred to by the epithet Phoebe (feminine form). The original Phoebe of Greek mythology is Selene's aunt, the Titaness mother of Leto and Asteria, and grandmother of Apollo, Artemis, and Hecate. Also from Artemis, Selene was sometimes called "Cynthia".
Selene was also called Mene. The word men (feminine mene), meant the moon, and the lunar month. It was also the name of the Phrygian moon-god Men.

WIKIPEDIA

Lunar eclipse Super Blood Moon 28/9/2015, video Fred Stien

This intervention was carried out as a part of the exhibition Before, Now, Afterwards | 20.9. – 20.10.2015
BLUDNY KAMEN
 
PechaKucha Night Prague
23.09.2015 | Kino AERO, Biskupcova 31, Prague 3, Czech Republic

8.20 PM



www.pechakucha.cz
www.kinoaero.cz
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FACIALITY
05.09.2015 | MUSEUM OF CONTEMPORARY ART ZAGREB
Av. Dubrovnik 17, 10000 Zagreb, Croatia


 
SOULLESS
27.06. –  15.09.2015 | STATUES GIVEN THE GARDEN V, Kroměříž, Czech Republic

David Helán & Milos Šein
Chateau garden / The Long Pond, Saturday, June 27, 2015, 4:30 P.M.


GET ART
Chateau garden


 
Body and Movement
18.04. 2015 | SOLAR MOUNTAINS

SOLAR MOUNTAINS
Day dreams in elemental landscape / Thora Solveig Bergsteinsdottir, Liv Nome, Miloš Šejn
A part of AENIGMA exhibition



day of dreames
AENIGMA

 
ON THE EDGE
Theatre festival ON THE EDGE
Friday, the 10th 4th 2015 - 18:00
Gentle provocation of Genius Loci by Day and by Night (with the participation of Milos Šejn and students of Theater production in non-traditional spaces from Academy of Performing Arts in Prague)

Plasy Monastery, Czech Republic



ON THE EDGE
 
LEACHED VINCENT
26.06. – 27.06.2014 | LUHOvaný Vincent, Luhacovice Spa, Czech Republic

David Helán & Milos Šein



LUHOvany Vincent
 
Former Gravediggers House
11.08.2013 | B U D E Č 2013 třetí ročník mezioborového setkání v kulturní krajině

David Helán & Milos Šein
Hillfort Budeč, Sunday, the 11th August 2013, 3 P.M.

www.neolokator.cz


 
Fossil of Truncation
19.04.2013 | ARTATACK Gallery, Výstavní hala - Horní Počernice, Bystrá 461, Prague, CZ / 7 p.m.

David Helán & Miloš Šejn
curated by Eliška Furčáková



 
TAJGA
09.05.2012 | TAJGA BEZDÉZSKAJA
Katedra environmentálních studií FSS MU, Brno

Archeologický ústav AV ČR, Praha, v. v. i., Botanický ústav AV ČR, v. v. i., Filmová a televizní fakulta AMU v Praze, Vysoká škola uměleckoprůmyslová v Praze
a Okrašlovací spolek při Katedře environmentálních studií na FSS MU v Brně
Vás zvou na vernisáž komorní výstavy fotografií, grafik a objektů Jana Daňhela, Petra Meduny, Petra Pokorného a Jiřího Sádla
dne 9. 5. 2012 v 18 hodin
na chodbě Katedry environmentálních studií FSS MU, Joštova 10, Brno.
Na vernisáži vystoupí Miloš Šejn & David Helán.



photo: Šimon Barnat

TAJGA BEZDEZSKAJA

 
The Written Face for SU-EN
28.01.2012 | Uppsala Art Museum

Performances as a part of opening ceremony - VISCERAL SPACE: Cassius Åkerlund, Johannes Bergmark, Lee Berwick, Joan Laage, Stuart Lynch, Irma Optimist, Sören Runolf, Miloš Šejn


Milos Sejn: The Written Face for SU-EN, performance as a part of opening ceremony - VISCERAL SPACE, January 28; white rose, colour pencils, chair, body, blood, voice, singing

"bílé plátky
růže plátky
white petals
and
rose petals
shining
shining
through my body
like bright stars
for
SU-EN
...
"


This year SU-EN Butoh Company celebrates 20 years of artistic activities!
The company was founded in Tokyo in 1992, after SU-EN recieved her name from Tomoe Shizune & Hakutobo through the performance Kaze no Cho.

This will be manifested through an art exhibition at Uppsala Art Museum – Visceral Space. There will be several rooms that SU-EN and collaboration partners fill with installations based on some of the company´s major pieces and projects. Most welcome to the exhibition!
We also release a catalogue mapping the 20 years, designed by Gunnar H Stening. The catalogue is available for free and can be ordered by e-mail: info@suenbutohcompany.net

January 28 – March 11, Visceral Space - exhibition at Uppsala Art Museum
Installations based on previous works SLICE, Scrap Bodies, Blush, Chicken Life and more. Collaboration partners for the exhibition is Skrotcentralen i Uppsala AB, Gunnar H Stening, Rickard Sporrong, Lee Berwick, (UK) Junichi Kakizaki (Japan), Fredrik Olofsson and Lise-Lotte Norelius.

Live events during the exhibition period:
January 28, 12 pm – OPENING 0F EXHIBITION, 15:00 opening speech, 16:00 Scrap Event outside the Art Museum, crane trucks and welders
February 18, Body Art performance installation in the SLICE room, with SU-EN
February 29, lecture artist talk by SU-EN and improvisation with Marie Gavois & Gustav Franklin
March 11, END, Blush action painting event, with SU-EN Butoh Company, 3 dancers and Lise-Lotte Norelius

www.uppsala.se/konstmuseum


A study for The Written Face, January 20, 2012

 
VŠENÁPRAVA / PANORTHOSIA / UNIVERSAL REFORM
28.10.2011 | Trafo Gallery, Prague
OFF INTERSECTION [Quadriennale of Unqualified]

curator: Linda Mikolášková

Performance by David Helán & Miloš Šejn

„Welcome note learned, pious and noble womens and mens, LIGHTS OF EUROPE!“


Performance, which is an adaptation of the project Czech Shed into the Trafo Gallery space, gives an entertaining and easily understandable form, many important findings, affecting all of us.

Panorthosia (Universal Reform) is the essential theme of John Amos Comenius's famous „General Consultation on an Improvement of All Things Human".

Obecná porada má:
1. Úvod, v němž se vykládá, co navrhujeme: nazývá se PANEGERSIA, to jest Kniha o všeobecném probuzení
- Vlastní soustavu, v níž se ke všeobecné nápravě navrhují
2. Základ, Všeobecné světlo: PANAUGIA, Dílčí počiny: totiž uspořádání
3. všech VĚCÍ, dotud naprosto neuspořádaných: PANSOFIA (Všeobecná moudrost)
4. všeho SMÝŠLENÍ, dotud naprosto zmateného: PAMPAEDIA (Vševýchova)
5. všech JAZYKŮ, dotud naprosto změtených: PANGLOTTIA (Všemluva)
6. Završení, PANORTHOSIA (Všenáprava)
7. Zavírku, obsahující porůznu opakované podněty k věcem tak žádoucím, k nimž vidíme tak jasně odkryté cesty. Bude nazvána PANNUTHESIA, Kniha o všeobecném povzbuzování.
(Obdobnou trojiční strukturu má pak opět každá ze sedmi knih.)

De rerum humanarum emendatione consultatio catholica, 1666

TRAFAČKA / TRAFO GALLERY
Kurta Konráda 1 (vchod z ulice Českomoravská)
190 00, Praha 9
Otevřeno: út-ne | 13:00-19:00
email: trafacka@trafacka.net
Spojení: tramvají č. 3 zastávka Ocelářská, nebo z metra Českomoravská 200 m.
http://offintersection.tumblr.com/
http://www.trafacka.net/cs/
http://www.amanitasproduction.cz




 
Pellucens Oratio
18.09. 2011 | Školská 28 / Communication space, Prague

A performance in Words and Movements by Milos Sejn and Frank van de Ven

Two moving and speaking bodies meander from an old shed to a courtyard and roof garden under some very low clouds. Their dialogue oscillates between past and future stories engendering translucent moments of understanding in the present.

SUN, SEPTEMBER 18, 2011, 19:30
www.skolska28.cz

 
Maritus et Vxor Seinii
22.08.2011 | The Holy Spirit Church / Liběchov, CZ

Our thirty-fifth the coral (canvas) wedding anniversary we celebrated by the one-hour awake death.
Realized in the burial crypt of the Church of the Holy Spirit in Liběchov.

curated by Jan Trejbal & Marek Přikryl
photo: Jakub Geltner





http://www.kaplelibechov.cz
Wedding anniversary
Libechov Olympus


 
URBAN CAMPING
20 June 2011 all day (00:01-23.59) | Prague

PQ+ / PRAGUE QUADRENNIAL OF PERFORMANCE DESIGN AND SPACE
PQ+ accompanying project of the Prague Quadrennial
The aim of the accompanying project of the 12th Prague Quadrennial, simply called PQ+, is to further develop PQ 2011’s interdisciplinary dialogue between various dramatic genres and an expanding definition of visual art.

HANDA GOTE // URBAN CAMPING

the Piazzetta of the National Theatre

A non-violent intervention in what remains of a public space
A 24-hour camping experience on the National Theatre’s piazzetta

The Handa Gote performance ensemble will spend 24 hours camping on the National Theatre’s piazzetta in homemade ceremonial masks and clothing. Relaxation, conversation, and games; a further unspecified ceremony; the erection of a portable temple for further unspecified godheads; cooking food and whiling the time away by playing on homemade instruments, through song and dance, the creation of arrowheads and other practical tools using available materials (glass from bottles, replacing the more difficult-to-find obsidian or flintstone), and a two- to three-hour ritual invocation of money.

The camp’s participation will in no way accost passers-by or onlookers. Their form of communication with be the radical absence of any outwards signs of belonging to majority society. These nomadic artistic homeless won’t have anything to be afraid of, either. They, too, know that it is normal to adapt. Inadaptability goes against the natural order and against culture itself.

Any gathering of people is legitimate, even if it has no aim of achieving a specific goal.

Prepared and performed by: Handa Gote research & development and guests
Tomáš Procházka / Robert Smolík / Pasi Mäkelä / Martin Janíček / Miloš Šejn / Jan Dörner / Jakub Hybler
production: jedefrau.org Cavina/Kalivodová
photo: Martin Vosáhlo

The artistic group Handa Gote research and development is a conceptual post-dramatic theatre ensemble working with audio installations, movement and dance theatre, live music, visual theatre, and technology. Its performances are characterized by a hidden poetics and a unique aesthetics, influenced by minimalism, eastern philosophy, the Do-It-Yourself movement, and the combination of old and new on both the technological as well as mental level. Handa Gote mixes Czech do-it-yourselfism, the reuse of objects and technologies, and inspiration from Japanese wabi-sabi aesthetics.





Four Days in the frame of Intersection – Prague Quadriennale of performance design and space 2011
OUT OF THE BOX - PROJECTS DESIGNED FOR THE PUBLIC SPACE

The art projects from the areas of theatre, dance, and the visual arts presented in this section work intensively with place, responding to the architecture, scenography, and design of public space. The selected artists address the subject of architecture and urbanism in a city where one can be an active participant, spatial catalyst, and true spectator of a new image of scenography. The selected projects present various different artistic approaches and ways of working with public space – site-specific projects, interventions, improvisation, performance art, or installations. The project’s main dramaturgical theme is playfulness, the tracing and exploration of the city’s iconography, and a shared interest in communicating about public space primarily with the city’s inhabitants.

Program coordinator Out of the Box
Projects for Public Space: Denisa Václavová

PQ+ / PRAGUE QUADRENNIAL OF PERFORMANCE DESIGN AND SPACE
Prague

http://www.pq.cz
melanchofobie
pq

 
FRICTION
International Performance Art Festival
10.06.2010 - 13.06.2010 | Uppsala konstmuseum, Uppsala, Sweden

Artists: Tomislav Antonio Gotovac, Vlasta Delimar, Ervin Babic, Ljubica Cvoric, Marina Tomic, Jason Lim, Boris Nieslony, Ko Siu Lan, Makoto Mauyama, Rakini Devi, Kate Pendry, Johanna Tukkanen, Nordic Dumpling, Hiroko Tsuchimoto, Fredrik Axwik, Linus Raudsepp, Milos Sejn, Aki Onda, Gracing Space Project

Curator: SU-EN

Works from Milos Sejn: Being Landscape / Dedicated to Carolus Linneus

FRICTION
Biz&Art



 
John Cage 4:33 Revised
25.03.2010 | The Westbohemian Gallery in Pilsen, Czech Republic

Realised by Miloš Šejn (time keeper, silent declamation), Johana Střížková (voiceless sing) and Jiří Hlobil (piano).



 
Mr. Spilka
04.11. - 11.11.2000 | Holešovice brewery / Prague

Four + Four Days in Motion
5th International Theatre Festival
4th-11th November 2000
Holešovice brevery, Prague

organized by mamapapa, curator Tomáš Žižka, sound part Martin Janíček
Four + Four Days in Motion


 
Milano·poesia / IX Festival internazionale di poesia, musica, video, performance, danza e teatro


Special
Architecture and the Senses
12.–14.10.2018 | Plasy Monastery, CZ  

Seminar, Workshops, Discussion

Agosto Foundation

Miloš Šejn: A Nightingale with a Flat Flight, Path in Translation

I record a moment of the nightingale’s living space. I have entered his house, his home. Reflections of vegetation, overhanging willows, and viburnums on the surface of the water say something of our, yes, perhaps our dialogue. I don’t know what the avian beings truly see and feel, but I am enraptured by the visual impression of this moment. When I wake up early in the morning, I lie on my bed and the branches from the garden stretch in from the window, clouds, the first rays of sun, and birdsong, it’s a perfect situation. Half asleep, loved ones and acquaintances approach, my consciousness is just as much between corporeality as between a dream and the consciousness of the house. I don’t know how the singing birds perceive this moment, and I know even less how long it has been since people have tried to capture this musical stream of speech in their own language – probably since time immemorial. Various languages and dialects hear something different each time. What follows are examples of translations of nightingales from the history of ornithology. And do we hear today at least some of a fragment of the nightingale’s building of a house?


 
BOHEMIAE ROSA 2018
25.08.2018 – 30.08.2018 | S i t e B o d y E x p l o r a t i o n
THE GOLDEN MOUNTAUNS – The Czech Republic & Poland


International Interdisciplinary Open–Air Workshop for dancers and artists exploring the relation among body, art and landscape led by Frank van de Ven and Milos Sejn.

 
Bohemiae Rosa
 
Sýkora
14.07.2017 – 22.07.2017 | Sykora/s Počedělice 
Ohre River – The Czech Republic


Open–Air Meeting of landscape painting
Curated by Lenka Sýkorová 


 
(Post)Land Art and the Anthropocene
06.11.2017 | Agosto Foundation – Kino NFA Ponrepo, Bartolomějská 291/11, Prague
6 November 2017, 8 PM

AGOSTO FOUNDATION

Troublemakers: The Story of Land Art, 2015 / 68:00 – Set in the desolate desert spaces of the American southwest, the film unearths the history of land art during the tumultuous late 1960s and early 1970s. Troublemakers is ultimately a story of renegades and firebrands all willing to risk their future careers on radical change and experimentation-a marked contrast to the hyper-speculative contemporary art world of today. Featuring rare interviews with a veritable who's who of American Art of the twentieth century. – Vito Acconci, Carl Andre, Germano Celant, Paula Cooper, Walter de Maria, Virginia Dwan, Gianfranco Gorgoni, Michael Heizer, Nancy Holt, Dennis Oppenheim, Charles Ross, Pamela Sharp, Robert Smithson, Harald Szeemann, Lawrence Weiner

Homeostasis / 23:00 – Homeostasis is a film essay devoted to the morphology of the landscape under the Ore Mountains in the North Bohemian Region. The film is composed of material that was captured during the Frontiers of Solitude International Symposium held in autumn 2017. – Milos Vojtechovsky, Dominik Zizka, Vladimir Turner, Michal Kindernay

ECHOES, 1979 / 5:19 / Milos Sejn – A reflection of sunbeams on water surface, cast on a rock. The hallucinatory gazing at one place for a long time. Digital transfer of a Super8 colour film.
 
Bohemiae Rosa pointAcademy Archives point

Miloš Šejn | Českých Bratří 312 | CZ-50601 Jičín | T +420 723 701 658 | milos [at-sign] sejn.cz

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